How To Play Cocktail Piano With Confidence

When it comes to learning how to play in a cocktail piano style fashion, the really good news is that you can indeed sound like a million bucks at those keys relatively soon. You see, it’s not necessary to know everything about the art form in order to dive right in and start exploring your potential. When we first learned to express ourselves verbally at a young age, we certainly didn’t feel a need to know all the words in the English language in order to start communicating. More and more, we learned how to express ourselves with words that were consistent with what our aim was. We had no problem letting others know we were hungry or thirsty, for example. We simply let them know! As our vocabulary increased, we became more confident with the finer points of Cocktail Piano Lessonscommunication.

It’s much the same way when it comes to expressing ourselves musically in a creative fashion. This is really a key point. To sound professional, you don’t need to know it all! What is important is that you perform what you know with confidence. So, as you think of a favorite song that you aspire to play in a way that is impressionable, realize that the melody is the first and foremost element of the music that is heard and recognized by the listener. This being the case, it stands to reason that you want to learn the melody to the point where you can play it with utmost confidence. There are specific learning tools that can make “getting your feet wet” playing cocktail piano much easier.

As you explore these, remember that whatever little bit you learn, project it with confidence, even if it’s the melody being played with the right hand and simple chords with the left hand. The first of these cocktail piano video sessions places a strong emphasis on this concept of playing with confidence.

Learn that melody well. At the beginning, settle on what you will use to accompany that melody, whether it be simple chords or some new chord voicings that you have learned. Then play it to the point where someone listening would not question that you are confident with what you are doing!

Remember, you certainly may aspire to learn more complex cocktail piano playing techniques and strategies, including piano fills and chord voicings and more, but the person listening to you is not judging you based on what you are not able to play at a particular moment… they are there to appreciate what is being played now. Therefore, give them something to appreciate.

In short, learn to enjoy the moment and play whatever you play with a certain amount of attitude, even if you are playing a simple C Major triad with your left hand and the melody with your right. Play it like you mean it.

As you continue your journey exploring more and more of that potential of yours, there are lots of cocktail piano learning tutorials that you can absolutely benefit from, so do take advantage of them…

And remember,

Always…

ALWAYS…

PLAY WITH PASSION!

Musically,

Dave
www.PianoAmore.net
www.ProProach.com

Learn Cocktail Piano: Open Piano Chord Voicings

The concept of open piano chord voicings is certainly familiar to you if you have spent any significant amount of time having fun with ProProach. If you have yet to experience this popular piano chord voicings program, let’s just take a brief sample of how open piano chord voicings can add that “special something” to your piano playing:

Let’s take a look at a basic 7th chord… Fmaj7 (“F major seven”)

Learn to play cocktail piano with all the wonderful tools available at Piano Amore!

Learn to play cocktail piano with all the wonderful tools available at Piano Amore!

The Fmaj7 chord, in its most basic form is as follows:

F A C E

When you play this chord on the piano in this particular formation, you are actually playing a chord in “closed” position. This makes sense when you consider that the chord tones in this chord are as close to together as they can be, which means that there are no chord tones in between the ones we see here (there is no F in between the chord tones we are playing… there is no F in between F and A, between A and C, or between C and E. Likewise, there is no A in between any of the other chord tones; nor is there a C or a E in between any of the other chord tones. They are all close together.

Now if we play a little game with this chord structure by taking one of the chord tones and repositioning it, we will have something a bit different (yet still the same chord)… Play this formation, starting with the F that is one octave below middle C:

F C E A

You will notice that we have moved the A to the top of the structure. Sooooo… even though there is an A in between the F and C, we are not playing it. Instead, we are playing the A one octave higher. This chord is now said to be in “open” position. Play the first Fmaj7 in its basic position and then play this open chord voicing for Fmaj7 and listen to each. Wow! This is a real eye-opener (and ear-opener!) for many who experience this for the first time.

Can you see (and hear) how playing this chord in open position might lend itself to a more tasteful sound when playing that chord in some of your favorite standard songs? Here is one example: If we are playing a ballad and the chord is Fmaj7 with a melody note of A. Taking a look at our open piano chord voicing above, can you see that the melody note is actually the same note as the top note of the chord voicing? Therefore, would you say that this piano chord voicing might be a tasteful choice when beginning this song? Absolutely!

Actually, as a cocktail pianist, you’ll want to immerse yourself in more and more of these open chord voicings. They are sure to add dimension to your playing. This is a sure way to enhance your personal piano playing style!

The more you “open” yourself up to playing more open voicings (pun intended), the more doors you will open when it comes to getting a more tasteful, professional sound at those keys. It’s a great way to turn heads in a room! You see, even though those listening may not know theoretically how you are playing those voicings, they can certainly hear that the player (you) has a handle on what he or she is doing musically.

Have fun as you “open your world” to more and more possibilities when it comes to the art of mastering those piano chord voicings!

Cocktail Piano Techniques: Piano Fills, Arranging, Chord Voicings

Having fun with chord changes to a familiar song we both can relate to (Over The Rainbow), we take a journey down the road  of piano creativity as we take a close look at how to incorporate great piano sounds, including chord voicings,  improvisation, fills, and more… this is a fun, informal session that I just know you will view as a treasure. We take a lead sheet (which you are provided) to a song composed with similar chord changes to this famous standard and interpret them in a way that will change your piano playing forever! I really take into consideration the questions and input I receive via email when offering this content, so thank you for your contributions! You can enjoy the videos while following along with the lead sheet for easy reference. Of course, you can simply choose to watch and learn, as there is lots for anyone to benefit from, even if you don’t read music at all!

As you may already suspect, if you can feel super confident with mastering your way through one great standard song, you’ve mastered a lot, especially when that song is chock full of the most popular chords and progressions you’ll find in most of your other songs as well. So we’ve taken the chords to an all-time favorite and made them available to you here along with an opportunity to peek over a pro’s shoulder so you can start cramming that “toolbox” of yours. Most of all, though, you’re going to have a lot of fun with the discoveries you are about to make. I only wish I could see the sparkle in your eye as you reap one “aha!” moment after another : ) Remember, a major benefit to this is that you can pause the video at anytime… study any given chord structure that I am playing…have it there as long as you like… and move on when you’re ready. Surely, within just a few short moments of any playing segment, you can extract some value. Learn more here

How To Play Cocktail Piano: Easy Techniques & Strategies

Those who have been with us at Piano Amore for even a short amount of time realize that much of what we offer here includes helping people who aspire to learn the very basics of the art form as well as helping even those who play professionally who wish to further explore their creative potential.

I have often been asked, “What is the least I should aspire to learn before I can start playing some decent cocktail piano?” Although there may not be a definitive answer for this, one reason being what you will consider as “decent cocktail piano” and what someone else will could be completely different. What is needed in order to start sounding good may be a lot less than you may be imagining. You see, it’s not necessarily what you play that matters as much as how you play it.

Another question I am regularly asked: “Of all the tools available in your store, which would be the most appropriate to learn the basics?” This could, naturally, vary according the individual. However… to put it simply: If you have a handle of some of your basic 7th chords, can play a melody, and have an open mind (and ear), you are equipped to begin. Actually, I created a Cocktail Piano Starter Package that includes a program that will assist with your learning the most common (and less common) 7th chords. You’ll also get a handle on reading those mysterious 7th chord symbols. Much more is included, however. You’ll gain access to a video session that focuses on the importance of learning the melody and how to start using what you know to begin sounding good (it’s not necessary to learn all those complex voicings yet in order to sound good). In addition, you’ll gain access to a couple of other video sessions that will open your mind up to start approaching the art of cocktail piano in a fashion that gets results fast.

If you would like to supplement your learning experience with a weekly program that will have you knowing how to play those chords like the pros do, then consider ProProach, currently being enjoyed worldwide!

The Secret To Creative Musical Genius

The Magic of “Overlapping” – A Key Secret to Creative Musical Development

Genius At The KeysA most interesting observation when it comes to learning and growing is this:

When it comes to learning to express ourselves through the language of music, some of us want a “step-by-step” approach for everything. Of course, this pretty much comes from the “schooling” process we were brought up with and bought into.

Now, we’re not speaking against the value of that, just so you know where I’m NOT going with this… HOWEVER…

When we began learning our language from day #1, we were exposed to concepts by listening to other people in our lives, including family, friends, and others (often having no choice). We were also exposed to rudiments, including spelling and grammar “rules” and developing a certain amount of vocabulary via school training.

A most important point here is that, regardless of what “training” we had when it came to
expressing ourselves via our language, most of what we learned resulted from an “overlapping” of all of our experiences. After a certain point, we didn’t walk through life, whether at home or on the job, with the mind set, “wait, I heard those words from that store clerk. I’m not sure if I’m ready to use those phrases, as it doesn’t seem to be the perfect continuation from what I’ve heard so far”… the same applies to when you heard instructions from others, whether the boss, someone in the line at the supermarket,
someone you were talking to on the telephone, etc.

In short, we simply allowed our experiences to accumulate and, after continued exposure to many varied experiences, we used what we learned in ways of our own.

When it comes to learning to tap into our personal inner creative, musical potential, we want to be receptive to the same approach. I know, for me, this is how my playing style developed throughout the years.

I get lots of emails from people wanting to know “what the next perfect video session” is for that person to take advantage of. Though it’s true that certain lessons can be more in line with specific interests, the truth is that I’ve put this collection together – virtually everything you’ll find here at Piano Amore – with the mind set that your creativity will be realized more and more with exposure to these sessions… and the order in which you experience them is the least important overall.

The value that can be obtained by enjoying a particular video session a couple of times and implementing some of its concepts – and then exposing yourself to another, which can be conducive to a completely refreshed outlook, while illustrating some of the same concepts previously learned – and then reviewing those sessions again and again – is
so valuable that I cannot explain it in words.

I do receive a number of emails from people who have, in fact, confirmed this, and I appreciate the fact that you’ve really experienced these sessions (which I experience utmost joy in creating) in the manner they were intended.

Take on the mind set of a child and allow your creativity curiosity to be nurtured. Play with that curiosity. Keep having fun at the top of your priority list. And as my ProProach members hear time and time again, appreciate where you’re at, and build upon that!

As you adopt this approach, it’s almost uncanny how naturally those results (and personal confidence) actually manifest.

As you continue having fun exploring your inner creative, musical genius, remember…

Always…

ALWAYS…

PLAY WITH PASSION!

Musically,

Dave
PianoAmore.net
ProProach.com

Piano Creativity “On Steroids” – Voicings, Improvisation, Fills, & More!

Thanks so much to those of you with questions  regarding my latest video session, Piano Creativity “On Steroids”

To clarify, a reason why this video will benefit beginners as well as more advanced players is that the content of this session actually consists of a nice “mix” of piano playing ideas that will be helpful to all levels. I did this purposefully with the intention of providing a tool for beginners to become inspired by as well as one those with experience could use to take their own level up a notch or two (or ten!). So, yes,some of the material we cover will be ideas that you can aspire to taking advantage of, so this is one you can grow with. Also,
it’s not meant as a replacement for anything you are doing; rather, an enhancement :) It serves as a great supplement, especially if you could use some encouragement in creative areas such as easy ways to come up with piano fills, improvising, and right hand chord playing.

More advanced players will take advantage of the various voicings being used and more. We also get into aspects of playing piano by ear, easy ways to come up with an improvisation for a favorite melody, and more.

This session was an “unpredictable one” in that it was my intention to create an informal “off the cuff” scenario similar to the type of experiences that led to much of my creative development. So, as the session progressed, I was inspired by your emails I’ve received over the months as well as my passion for helping people to overcome obstacles, including the very thinking that gets in the way of playing creatively.

This is not a video that you need to view from beginning to end each and every time. Actually, I suggest that you do this the first time and you’ll soon realize that, depending on what your focus is on at any given time, different segments will mean more to you at various points in your development.

It is my belief that whether you’ve never played piano or before or you’re a pro player open to new ideas, there’s content here you will benefit from. Exposure to this session over and over again is sure to lead to multiple rewards as well.

Consider following the suggestions included in the formula provided on the promo page and you’ll be on your way to discovering your potential for musical creativity like you never did before : o )

Please have fun with this one. I sure did!

Remember,

Always…

ALWAYS…

PLAY WITH PASSION!

Musically,

Dave
www.PianoAmore.net
www.ProProach.com

Piano Playing Creativity:
You Have What It Takes

From Piano Fills To Improvisation To Walking Bass, It’s All Here…

How To Predict The Next Chord In A Song And More…

Some people find this interesting:

A competent classical pianist who has been trained for decades to the degree of being able to pull off a performance of “Grade 6″ compositions (or higher) in an amazing fashion can have an excruciating time trying to play a beautiful rendition of a standard song like “Misty” or “Skylark” or “Till There Was You,” etc… even with the simple melody propped up on that piano stand….

Yet, another individual who had no clue how to read the piano staff up until about a few months ago can do so with amazing confidence.

What’s that “secret element” that distinguishes the two?

Well, it’s no “secret,” per se… though, to the classical playing maestro with no background in personal creativity at those keys, it can certainly seem like that.

Did you know that allowing yourself a few weeks of exposure to learning how to play simple melodies and a few chords (and how to play them tastefully) can put you in a position of being able to pull off playing arrangements of such standards to the point of spinning the head of pro classical player who has even perhaps  endured 6 years of college study in the area of performing traditionally? If you have the desire to have fun, it’s possible.

It’s not magic. It’s a matter of what turn in the road one chooses to take. (If you’re a classical player who can relate to this, by the way, your potential is certainly there to expand your scope, of course, if you haven’t yet done so, but maybe you have!)

At different times, I am prompted by people who only have a little experience reading and simply want to be able to play a simple standard song and make it sound good for a “fast track formula” for being able get themselves from “point A” to “point B”…

Here’s one that works:

1) Learn the melody… learn it well…

2) Hook yourself up with my two programs entitled: How To Play Standard Songs With Confidence #1 and How To Play Standard Songs With Confidence #2

From that point, things get easier…

We’re talking about getting you to FEEL CONFIDENT with setting yourself up with a basic platform to work from. The first program gets you to look at things in perspective and making that melody flow… The second provides you with the kind of left hand techniques necessary to put that melody “on steroids”…

Beyond this, is there more you can do? You bet there is. And there are lots of programs available here to help you take things to many different levels, but that is certainly a profound start to getting the ball rolling. (1-2-3 Cocktail Piano #1 and 1-2-3 Cocktail Piano #2 are a good way to continue)

Let’s face it, when we hook on to a program, we want it to lead us in a direction… we don’t want it to “handcuff” us into doing something we don’t want to. It’s about having FUN… and having that fun IMMEDIATELY… the entire learning process should be nothing short of that.

By the way, if the concept of “being creative” is intimidating for you, we can cure that beginning TODAY… that’s what my special video session Pro Piano Creativity: The Nitty Gritty is about. No, you don’t need to be a pro for that one! You can be at any level and elevate yourself to a different point with that one, whether you’re wanting to open yourself up to playing a walking bass and never tried, playing fills, being able to predict what chord comes next in a song, or you’re simply wanting to explore your piano creativity potential in general (I predicted that some people would like this one but the feedback I’ve received on it has spun my head… my personal thanks to all of you)

(Just a note: People who want to excel in the area of specific strategies, like playing a “walking bass” with confidence, and who have taken advantage of my online coaching KNOW that things can happen – and they can happen fast!)

The key is: Start with something. Take an action that you never have. Don’t wait. Whatever level you are at, make today the day that marks a new beginning for yourself.

( All the above and more is available in our store … ALL AVAILABLE VIA INSTANT ONLINE ACCESS!)

And, of course, remember,

Always…

ALWAYS…

PLAY WITH PASSION!

Musically,

Dave
www.PianoAmore.net
www.ProProach.com

Cocktail Piano Techniques:
Chord Voicing Creativity

The inquiries that come my way regarding cocktail piano techniques, as you can imagine, are vast in number. Among all the messages, one of the most prevailing topics is that of chord voicings. Specifically, people often ask for a good starting point.

There is good reason for Lesson #1 of ProProach focusing on the chord voicing that you’ll find there. You see, by mastering that particular one, you set yourself up nicely for many to follow. That lesson is still free (at the time of this writing) so, if you haven’t taken advantage, you are encouraged to gain access to it. Whether it’s jazz piano that’s your thing or any other style, you’ll want to master that 9th chord voicing in all keys. Start with a few, of course, and proceed at your own pace.

Naturally, as we acknowledge in ProProach time and time again, it is in the application of what you are learning where the “gold” is really found. You can virtually escalate your confidence in the area of piano styling by just learning that one voicing and then following up by incorporating it in the context of your favorite songs. Of course, this applies to other voicings and concepts as well. Those taking advantage of my new video session (which is nearly an hour and a half long) are getting “in tune”with this idea because we actually take a good segment of that popular standard Fly Me To The Moon by Bart Howard and see for ourselves how the concept of “strategy integration” can literally turn your piano playing around within minutes, not days, weeks or months.

It doesn’t stop there, however. You see, learning these voicings can put your piano playing “on steroids” in more ways than one. For example, if you simply learn that one piano chord voicing that we take a look at in Lesson #1 of ProProach and then apply it in the fashion that we propose in Cocktail Piano Secrets #1, you soon realize that your perspective on creating piano fills is dramatically changed, whether those fills be chordal or melodic in nature. (That particular piano video session is literally changing the playing of many individuals because of the eye-opening and ear-opening insight contained within it)

You are encouraged to learn one new thing today.. one chord, one voicing, one improvisational idea… and use it. Yes, actually incorporate it into your playing, rather than just approaching in an “exercise-like” fashion. This is where the real value comes into play. After all, isn’t being able to enhance your very own personal playing the reason you’re learning these ideas in the first place?

I get lots of emails from folks asking why ProProach is offered as a 24-week program. “Can’t you just send me the whole program all at once?” I do explain the reason and it can be found via a link on the promotion page. In short, the most value will be gained by “following my prescription” and more and more people, once they take themselves through the program, are contacting me with courtesy messages letting me know that, indeed, they wouldn’t have had it any other way now that they see it all in perspective. If you were to join a fitness program and were to insist upon doing the entire program in one week as opposed to following a proposed 12-week program, you might imagine how that just might not be in your best interest : )

Again, a huge Thanks to all for your positive feedback on Pro Piano Styling Creativity: The Nitty Gritty. To you Friends, please expose yourself to that session again and again and apply its suggestions regularly to realize results beyond your wildest dreams.

In addition, I want to thank all those for the suggestions for future video sessions. I really do listen and I’ll do my best to accommodate your wants and needs, since that’s why I’m here in the first place!