How To Have Exceptional Fun At Those Keys Whatever Your Playing Level

Whether you consider yourself a beginner at those keys, advanced, or somewhere in between, there are always things you can have fun with to lose yourself in the moment and have tons of fun, WHILE INCREASING YOUR CONFIDENCE, TOO!Have fun at those keys!

Some things to have fun with:

* Open up those musical ears by taking a simple chord progression and playing it in different keys

* If you’re playing voicings, master it in a number of keys, too

* Develop the habit of looking at an obstacle you are faced with as an opportunity worth smiling about

* Learn to recognize melodic intervals so you can duplicate them on those keys whenever you like

* Learn different ways of playing those chords you may have never considered

* Learn to be musical even playing the simplest idea

* Adopt an attitude that you can do no wrong

* Learn to spice up a chord progression with the concept of chord substitution

* Use songs that you know as a resource of confidence for newer songs you are learning

* Appreciate concepts that seem to be “over your head” at the moment and welcome them rather than avoid them

* Adopt the perspective that each and every minute at that piano or keyboard of yours is an exciting opportunity for self exploration

We’re actually just touching the surface here when it comes to the benefits to be gained by continuous exposure to one of my newest video sessions, Piano Creativity “On Steroids”

My enthusiasm was “on steroids” during this entire session because ideas just kept coming to me as I continued to recall those questions I’ve been receiving via email on a regular basis. Truly, your messages to me inspire me. Thank You for all of them : )

Remember,

Always…

ALWAYS…

PLAY WITH PASSION!

Musically,

Dave

www.PianoAmore.net
www.ProProach.com

Copyright PianoAmore.net All Rights Reserved

Piano Creativity “On Steroids” – Voicings, Improvisation, Fills, & More!

Thanks so much to those of you with questions  regarding my latest video session, Piano Creativity “On Steroids”

To clarify, a reason why this video will benefit beginners as well as more advanced players is that the content of this session actually consists of a nice “mix” of piano playing ideas that will be helpful to all levels. I did this purposefully with the intention of providing a tool for beginners to become inspired by as well as one those with experience could use to take their own level up a notch or two (or ten!). So, yes,some of the material we cover will be ideas that you can aspire to taking advantage of, so this is one you can grow with. Also,
it’s not meant as a replacement for anything you are doing; rather, an enhancement :) It serves as a great supplement, especially if you could use some encouragement in creative areas such as easy ways to come up with piano fills, improvising, and right hand chord playing.

More advanced players will take advantage of the various voicings being used and more. We also get into aspects of playing piano by ear, easy ways to come up with an improvisation for a favorite melody, and more.

This session was an “unpredictable one” in that it was my intention to create an informal “off the cuff” scenario similar to the type of experiences that led to much of my creative development. So, as the session progressed, I was inspired by your emails I’ve received over the months as well as my passion for helping people to overcome obstacles, including the very thinking that gets in the way of playing creatively.

This is not a video that you need to view from beginning to end each and every time. Actually, I suggest that you do this the first time and you’ll soon realize that, depending on what your focus is on at any given time, different segments will mean more to you at various points in your development.

It is my belief that whether you’ve never played piano or before or you’re a pro player open to new ideas, there’s content here you will benefit from. Exposure to this session over and over again is sure to lead to multiple rewards as well.

Consider following the suggestions included in the formula provided on the promo page and you’ll be on your way to discovering your potential for musical creativity like you never did before : o )

Please have fun with this one. I sure did!

Remember,

Always…

ALWAYS…

PLAY WITH PASSION!

Musically,

Dave
www.PianoAmore.net
www.ProProach.com

Piano Playing Creativity:
You Have What It Takes

From Piano Fills To Improvisation To Walking Bass, It’s All Here…

How To Predict The Next Chord In A Song And More…

Some people find this interesting:

A competent classical pianist who has been trained for decades to the degree of being able to pull off a performance of “Grade 6″ compositions (or higher) in an amazing fashion can have an excruciating time trying to play a beautiful rendition of a standard song like “Misty” or “Skylark” or “Till There Was You,” etc… even with the simple melody propped up on that piano stand….

Yet, another individual who had no clue how to read the piano staff up until about a few months ago can do so with amazing confidence.

What’s that “secret element” that distinguishes the two?

Well, it’s no “secret,” per se… though, to the classical playing maestro with no background in personal creativity at those keys, it can certainly seem like that.

Did you know that allowing yourself a few weeks of exposure to learning how to play simple melodies and a few chords (and how to play them tastefully) can put you in a position of being able to pull off playing arrangements of such standards to the point of spinning the head of pro classical player who has even perhaps  endured 6 years of college study in the area of performing traditionally? If you have the desire to have fun, it’s possible.

It’s not magic. It’s a matter of what turn in the road one chooses to take. (If you’re a classical player who can relate to this, by the way, your potential is certainly there to expand your scope, of course, if you haven’t yet done so, but maybe you have!)

At different times, I am prompted by people who only have a little experience reading and simply want to be able to play a simple standard song and make it sound good for a “fast track formula” for being able get themselves from “point A” to “point B”…

Here’s one that works:

1) Learn the melody… learn it well…

2) Hook yourself up with my two programs entitled: How To Play Standard Songs With Confidence #1 and How To Play Standard Songs With Confidence #2

From that point, things get easier…

We’re talking about getting you to FEEL CONFIDENT with setting yourself up with a basic platform to work from. The first program gets you to look at things in perspective and making that melody flow… The second provides you with the kind of left hand techniques necessary to put that melody “on steroids”…

Beyond this, is there more you can do? You bet there is. And there are lots of programs available here to help you take things to many different levels, but that is certainly a profound start to getting the ball rolling. (1-2-3 Cocktail Piano #1 and 1-2-3 Cocktail Piano #2 are a good way to continue)

Let’s face it, when we hook on to a program, we want it to lead us in a direction… we don’t want it to “handcuff” us into doing something we don’t want to. It’s about having FUN… and having that fun IMMEDIATELY… the entire learning process should be nothing short of that.

By the way, if the concept of “being creative” is intimidating for you, we can cure that beginning TODAY… that’s what my special video session Pro Piano Creativity: The Nitty Gritty is about. No, you don’t need to be a pro for that one! You can be at any level and elevate yourself to a different point with that one, whether you’re wanting to open yourself up to playing a walking bass and never tried, playing fills, being able to predict what chord comes next in a song, or you’re simply wanting to explore your piano creativity potential in general (I predicted that some people would like this one but the feedback I’ve received on it has spun my head… my personal thanks to all of you)

(Just a note: People who want to excel in the area of specific strategies, like playing a “walking bass” with confidence, and who have taken advantage of my online coaching KNOW that things can happen – and they can happen fast!)

The key is: Start with something. Take an action that you never have. Don’t wait. Whatever level you are at, make today the day that marks a new beginning for yourself.

( All the above and more is available in our store … ALL AVAILABLE VIA INSTANT ONLINE ACCESS!)

And, of course, remember,

Always…

ALWAYS…

PLAY WITH PASSION!

Musically,

Dave
www.PianoAmore.net
www.ProProach.com

21 Days to Piano Styling Transformation

Become A Chord Voicing Pro

A Chord Voicing Strategy That Equals Success

It’s been proven time and time (and time) again that it takes 21 days to form a new habit.

Well, that’s good news if the habit you’re forming is one that brings the results you want, of course.

And since we’re here to get results, I would like  to share something with you that will absolutely transform your piano styling skills in 21 days.

If I was to share this with you, telling you that I know it works (I mean, you can’t fail), would you take me up on it?

Provided your answer is yes, let me share it here. By the way, because it’s so simple, a few will overlook it, convincing themselves that success is supposed to be a whole lot more complex than this…

HOWEVER, the ones who follow through will realize results they can “take to the bank.” In fact, not only will you have developed a habit that is conducive to this special transformation, but what you will have achieved during that 21 days will already have provided you with results you’ll be enjoying indefinitely.

Ready? Here it is:

If you’ve previewed my 24-week program Pro Piano Chord Bytes, you know there’s a complimentary lesson there.

Okay… take that lesson, become acquainted with the chord structure there, which is presented in the key of C (it’s a voicing for Cmaj7 chord)…

Then spend 7 days incorporating that chord structure into two different favorite songs of yours, MAKING SURE that you play the voicing in at TWO other keys (like Fmaj7 and
Bbmaj7)…

When the next lesson arrives, do the same for the next 7 days (choose one of the voicings when more than one is provided, since this does happen at the beginning of the program). Remember, the action of incorporating the voicing in a song or songs is a key factor here (and playing that voicing in at least TWO other keys, which means that we are looking for that chord to be in two different keys as well… ex. Cmaj7, Fmaj7, Gmaj7) …

When Lesson #2 arrives, repeat the procedure for 7 days, going about it in the same fashion…

At that point, you will have formed a habit for sure! However, your confidence will already have escalated since you’ve acquired some great chord sounds for that “piano styling toolbox” of yours…

The even better news is, now that you have a habit that will absolutely transform your playing for the better, you’ll have another 22 lessons to look forward to to nurture that habit!

Special Note: a special feature of this program is the commentary provided BELOW the illustrations! Reading and being receptive to those suggestions will lead you to really understanding what “separates the men from the boys” when it comes to pro piano styling!

You’re in for an experience and a half if you follow through with this… I can’t even describe the confidence you will have attained by doing so…

“Knowing is not enough; we must apply. Willing is not enough; we must do.”
– Johann Wolfgang von Goethe

Remember,

Always…

ALWAYS…

PLAY WITH PASSION!

Musically,

Dave
www.PianoAmore.net
www.ProProach.com

Cocktail Piano Techniques:
Chord Voicing Creativity

The inquiries that come my way regarding cocktail piano techniques, as you can imagine, are vast in number. Among all the messages, one of the most prevailing topics is that of chord voicings. Specifically, people often ask for a good starting point.

There is good reason for Lesson #1 of ProProach focusing on the chord voicing that you’ll find there. You see, by mastering that particular one, you set yourself up nicely for many to follow. That lesson is still free (at the time of this writing) so, if you haven’t taken advantage, you are encouraged to gain access to it. Whether it’s jazz piano that’s your thing or any other style, you’ll want to master that 9th chord voicing in all keys. Start with a few, of course, and proceed at your own pace.

Naturally, as we acknowledge in ProProach time and time again, it is in the application of what you are learning where the “gold” is really found. You can virtually escalate your confidence in the area of piano styling by just learning that one voicing and then following up by incorporating it in the context of your favorite songs. Of course, this applies to other voicings and concepts as well. Those taking advantage of my new video session (which is nearly an hour and a half long) are getting “in tune”with this idea because we actually take a good segment of that popular standard Fly Me To The Moon by Bart Howard and see for ourselves how the concept of “strategy integration” can literally turn your piano playing around within minutes, not days, weeks or months.

It doesn’t stop there, however. You see, learning these voicings can put your piano playing “on steroids” in more ways than one. For example, if you simply learn that one piano chord voicing that we take a look at in Lesson #1 of ProProach and then apply it in the fashion that we propose in Cocktail Piano Secrets #1, you soon realize that your perspective on creating piano fills is dramatically changed, whether those fills be chordal or melodic in nature. (That particular piano video session is literally changing the playing of many individuals because of the eye-opening and ear-opening insight contained within it)

You are encouraged to learn one new thing today.. one chord, one voicing, one improvisational idea… and use it. Yes, actually incorporate it into your playing, rather than just approaching in an “exercise-like” fashion. This is where the real value comes into play. After all, isn’t being able to enhance your very own personal playing the reason you’re learning these ideas in the first place?

I get lots of emails from folks asking why ProProach is offered as a 24-week program. “Can’t you just send me the whole program all at once?” I do explain the reason and it can be found via a link on the promotion page. In short, the most value will be gained by “following my prescription” and more and more people, once they take themselves through the program, are contacting me with courtesy messages letting me know that, indeed, they wouldn’t have had it any other way now that they see it all in perspective. If you were to join a fitness program and were to insist upon doing the entire program in one week as opposed to following a proposed 12-week program, you might imagine how that just might not be in your best interest : )

Again, a huge Thanks to all for your positive feedback on Pro Piano Styling Creativity: The Nitty Gritty. To you Friends, please expose yourself to that session again and again and apply its suggestions regularly to realize results beyond your wildest dreams.

In addition, I want to thank all those for the suggestions for future video sessions. I really do listen and I’ll do my best to accommodate your wants and needs, since that’s why I’m here in the first place!